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Articles (sorted alphabetically by author)
  • [AdJ_1977] Aden, John M.: "An artless tale?" In: Sewanee Review (Univ. of the South, Sewanee, TN) 85 (1977), pp. 697-701.
  • [AlV_1969] Albertini, Virgil: "Samuel Johnson's Life of Gray." In: Missouri English Bulletin (Northeast Missouri State Univ., Kirksville) XXV (May 1969), pp. 8-12.
  • [AnA_1965] Anderson, A.: "Gray's Elegy in Miscellaneous Pieces, 1752". In: The Library: A Quarterly Journal of Bibliography 20 (1965), pp. 144-148.
  • [BaB_1968] Bache, William B.: "Gray's `Sonnet: On the Death of Richard West'". In: CEA Critic: An Official Journal of the College English Association 31(2) (1968), p. 12.
  • [BaC_1968] Bacon, M. E.: "Blake and Gray: A Case of Literary Symbiosis". In: Culture (Quebec) 29 (1968), pp. 42-50
  • [BaL_1994] Baldwin, Barry: "Thomas Gray on Posterity". In: The Scriblerian and the kit-cats 26(2) (1994), p. 159, also in: Notes and Queries 40 (238)(3) (Sep. 1993), pp. 328-329.
  • [BaL_1995] Baldwin, Barry: "On some Greek and Latin poems by Thomas Gray". In: International journal of the classical tradition 1(1) (1994), pp. 71-88.
  • [BaS_1962] Basden, Eric B.: "Thomas Gray in Buckinghamshire". In: Notes and Queries 13 (1966), pp. 226-227.
  • [BaT_1961] Bateson, F. W.: "Gray's Elegy Reconsidered". In: F. W. Bateson, English Poetry. A Critical Introduction. Third edition. London: Longman's, 1961 [1st ed. 1950], pp. 181-193.
  • [BeB_1993] Beatty, Bernard: "Unheard Voices, Indistinct Visions: Gray and Byron". In: W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, pp. 224-247.
  • [BeC_1945] Bell, Charles Francis: "Thomas Gray and the fine arts." In: Essays and studies by members of the English association 31 (1945), pp. [50]-81.
  • [BeG_1974] Bentley, G. E., Jr: "The accuracy of the Blake reproductions." In: Blake Newsletter (Univ. of New Mexico, Albuquerque) 8 (1974), pp. 88-89.
  • [BeY_1992] Bentman, Raymond: "Thomas Gray and the Poetry of `Hopeless Love'". In: Journal of the History of Sexuality 3(2) (Oct. 1992), pp. 203-222.
  • [BiJ_2002] Bidwell, John: "Designs by Mr. J. Baskerville for Six Poems by Mr. T. Gray". In: Book Collector 51(3) (Autumn 2002), pp. 355-371.
  • [BoL_1968] Borinski, Ludwig: "Thomas Gray. Elegy Written in a Country Churchyard". In: Karl Heinz Göllner (ed.), Die englische Lyrik. Von der Renaissance bis zur Gegenwart, 2 vols. Düsseldorf: August Bagel, 1968, vol. 1, pp. 255-268.
  • [BoY_1975] Boyce, Benjamin: "Sounding Shells and Little Prattlers in the Mid-Eighteenth-Century English Ode". In: Eighteenth Century Studies 8(3) (Spring 1975), pp. 245-264.
  • [BrF_1965] Brady, Frank: "Structure and Meaning in Gray's Elegy". In: Frederick W. Hilles and Harold Bloom (eds.): From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. New York: Oxford UP, 1965, pp. 177-189.
  • [BrH_1965] Bronson, Bertrand H.: "On a Special Decorum in Gray's Elegy." In: Frederick W. Hilles and Harold Bloom (eds.): From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. New York: Oxford UP, 1965, pp. 171-176.
  • [BrH_1968] Bronson, Bertrand H.: "The Pre-Romantic or Post-Augustan Mode". In: Bertrand H. Bronson, Facets of the Enlightenment: Studies in English Literature and its Contexts. Berkeley [etc.]: U. of California P., 1968, pp. 159-172.
  • [BrL_1968] Brooks, Cleanth: "Gray's Storied Urn". In: Cleanth Brooks, The Well Wrought Urn. Studies in the Structure of Poetry. London: Methuen, 1968 [1st ed. 1947], pp. 85-100. Also in: Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, pp. 23-32.
  • [BuJ_1950] Butt, John: "Imitation and Original Composition - Gray". In: John Butt, The Augustan Age. London: Hutchinson's University Library Series, vol. 43, 1950, pp. 105-114.
  • [ByS_1987] Bygrave, Stephen: "Gray's `Elegy': Inscribing the Twilight". In: Richard Machin and Christopher Norris (eds.), Post-Structuralist Readings of English Poetry. Cambridge: Cambridge UP, 1987, pp. 162-175.
  • [CaR_1995] Cameron, Kenneth Walter: "Emerson and the poet Thomas Gray." In: American Renaissance Literary Report (Hartford, CT) 9 (1995), p. 107.
  • [CaR_1988] Carnochan, W. B.: "The Continuity of Eighteenth-Century Poetry: Gray, Cowper, Crabbe, and the Augustans". In: Eighteenth Century Life 12(2) (May 1988), pp. 119-127.
  • [CaT_1973] Carper, Thomas R.: "Gray's `Orders of Insects': A Mnemonic Device". In: Notes and Queries 20 (1973), pp. 213-214.
  • [CaT_1974] Carper, Thomas R.: "Dating Gray's Translations from the Greek Anthology". In: Notes and Queries 21 (1974), pp. 255-256.
  • [CaT_1977] Carper, Thomas R.: "Gray's Personal Elegy". In: Studies in English Literature, 1500-1900 17 (1977), pp. 451-462.
  • [CiE_1978] Chiasson, Elias: "The Courtly Lady in Gray's Elegy". In: Publications of the Missouri Philological Association 3 (1978), pp. 39-49.
  • [ClA_1991] Clark, S. H.: "`Pendet Homo Incertus': Gray's Response to Locke, I: `Dull in a New Way'. In: Eighteenth Century Studies 24(3) (Spring 1991), pp. 273-291.
  • [ClA_1991a] Clark, S. H.: "`Pendet Homo Incertus': Gray's Response to Locke, II: `De principiis Cogitandi'. In: Eighteenth Century Studies 24(4) (Summer 1991), pp. 484-503.
  • [ClL_1995] Clymer, Lorna: "Graved in Tropes: The Figural Logic of Epitaphs and Elegies in Blair, Gray, Cowper, and Wordsworth". In: ELH. A journal of English Literary History 62(2) (Summer 1995), pp. 347-386.
  • [CmH_1965] Combecher, Hans: "Thomas Gray: Ode on the Spring". In: Hans Combecher, Deutung englischer Gedichte. 2. Auflage. Frankfurt/Main: Moritz Diesterweg, 1965, pp. 52-57.
  • [CoB_1980] Cosgrove, Brian: "`Ev'n in Our Ashes Live Their Wonted Fires': Privation and Affirmation in Gray's Elegy". In: English 29 (1980), pp. 117-130.
  • [CrT_1993] Craik, T. W.: "Gray's Humorous and Satirical Verse". In: W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, pp. 111-125.
  • [CwI_1987] Crawford, Iain: "`Large Was His Bounty, and His Soul Sincere' - Gray's Elegy, Theme, and Intertextuality in Great Expectations". In: Dickens Quarterly 4(4) (Dec. 1987), pp. 195-199.
  • [CwI_1988] Crawford, Iain: "Wading Through Slaughter: John Hampden, Thomas Gray, and Mary Shelley's Frankenstein". In: Studies in the novel 20(3) (Fall 1988), pp. 249-261.
  • [DaD_1974] Davie, Donald: "Afterword". In: James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, pp. 256-262.
  • [DaD_1977] Davie, Donald: "Introduction". In: Donald Davie (ed.): The Late Augustans: Longer Poems of the Later Eighteenth Century. London: Heinemann, 1977 [1st ed. 1958].
  • [DeC_2002] Decker, Christopher: "The poet as reader: Thomas Gray's borrowings from Cambridge college libraries". In: Library: the transactions of the Bibliographical Society (Oxford) 3(2) (2002), pp. 163-193.
  • [DiA_1992] Dillon, Andrew: "Depression and Release: The Journey of the Spirit in Thomas Gray's `Elegy'". In: North Dakota Quarterly 60(4) (Fall 1992), pp. 128-134.
  • [DiE_1968] Dilworth, Ernest: "'Landor on Gray's Sonnet on the Death of West". In: Notes and Queries 15 (1968), p. 215.
  • [DyA_1984] Dingley, R. J.: "The Ending of Gray's `Elegy'". In: AUMLA. Journal of the Australasian Universities Language and Literature Association 61 (May 1984), pp. 29-36.
  • [DoA_1914] Dobson, Austin: "Gray's biographer". In: Dobson, Austin, Eighteenth century studies. The Wayfarer's Library. London: J. M. Dent & Sons, [1914?], pp. 277-295.
  • [DoF_1963] Doherty, F.: "The Two Voices of Gray". In: Essays in Criticism: A Quarterly Journal of Literary Criticism 13 (1963), pp. 222-230.
  • [DoJ_2000] Dolan, John: "'To Darkness and to Me': Mental Event as Poetic Occasion". In: Dolan, John, Poetic Occasion from Milton to Wordsworth. Early Modern Literature in History series. Houndmills; New York: MacMillan; St. Martin's Press, 2000, chapter 5.
  • [DuT_2003] Dutoit, Thomas: "Poetry of twilight in Collins' "Ode to Evening" and in Gray's "Elegy Written in a Country Churchyard". By Jacques Derrida." In: Oxford Literary Review 25 (2003), pp. 5-37.
  • [DyA_1968] Dyson, A. E.: "The Ambivalence of Gray's Elegy". In: Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, pp. 83-87.
  • [EaA_1993] Easson, Angus: "`A Man of Genius': Gray and Wordsworth". In: W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, pp. 205-223.
  • [EaD_1993] Eaves, Duncan T. C.: "The Second Edition of Thomas Gray's `Ode on the Death of a Favourite Cat'". In: Philological quarterly (1949), p. 512.
  • [EbC_1961] Eby, Cecil D.: "Anne Bradstreet and Thomas Gray: A Note on Influence". In: Historical collections 97(4) (1961), p. 292.
  • [EdR_1983] Edgecombe, Rodney Stenning: "A Reading of Gray's `Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes'". In: English Studies in Africa: A Journal of the Humanities 26(2) (1983), pp. 99-104.
  • [EdR_1986] Edgecombe, Rodney Stenning: "Diction and Allusion in Two Early Odes by Gray". In: The Durham University journal 79(1) (Dec. 1986), pp. 31-36.
  • [EdR_1995] Edgecombe, Rodney Stenning: "Two Sources for Gray's `Eton College Ode'". In: Notes and queries for readers and writers, collectors and librarians 42 (240)(1) (Mar. 1995), pp. 67-68.
  • [EdR_1995a] Edgecombe, Rodney Stenning: "Gray, Hunt, Keats and the Idea of Artistic Succession". In: Keats Shelley Journal 44 (1995), pp. 17-22.
  • [EdR_1997] Edgecombe, Rodney Stenning: "Gray, Propertius, and the Games Stanza in the Eton College Ode". In: Notes and Queries 242(3) (Sep. 1997), pp. 319-320.
  • [EdR_2001] Edgecombe, Rodney Stenning: "Gray's Elegy Written in a Country Churchyard". In: Explicator (Helen Dwight Reid Educational Foundation, Washington, DC) 59(2) (Winter 2001), pp. 76-78.
  • [EdR_2001a] Edgecombe, Rodney Stenning: "Gray's 'Elegy' and Thomas Brown's 'Pastoral on the Death of Queen Mary'". In: Notes and Queries 48(246)(4) (Dec 2001), p. 413.
  • [EdR_2003] Edgecombe, Rodney Stenning: "The Heroic Mental Journey: A Note on a Topos". In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 16(1) (Winter 2003), pp. 24-27.
  • [EdR_2003a] Edgecombe, Rodney Stenning: "A source for the epitaph in Gray's Elegy Written in a Country Churchyard". In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 16(3) (2003), pp. 18-19.
  • [EdR_2003b] Edgecombe, Rodney Stenning: "Milton, Gray, and West's `Monody on the Death of Queen Caroline'". In: Review of English Studies: The Leading Journal of English Literature and the English Language 54(215) (June 2003), pp. 386-398.
  • [EdR_2003c] Edgecombe, Rodney Stenning: "Gray's `Ode on the Spring' and Pope's Essay on Man". In: Notes and Queries 50(248), no. 2 (June 2003), p. 205.
  • [EdR_2004] Edgecombe, Rodney Stenning: "An Allusion to Ovid's Heroides in Gray's `Ode on a Distant Prospect of Eton College'". In: Notes and Queries 51(249) (Mar 2004), p. 48.
  • [EdR_2004a] Edgecombe, Rodney Stenning: "Addison's 'Campaign' and Gray's 'Elegy'". In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 17(3) (Summer 2004), pp. 27-28.
  • [EdR_2005] Edgecombe, Rodney Stenning: "St. John Chrysostom's 'Homilies on Romans' and Gray's 'Elegy'". In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 18(2) (Spring 2005), pp. 28-29.
  • [EdR_2007] Edgecombe, Rodney Stenning: "Irving's Chronicle of Wolfert's Roost, Goldsmith's 'The Deserted Village', and Gray's 'Ode on a Distant Prospect of Eton College'". In: Explicator 65(3) (Spring 2007), pp. 139-142.
  • [EdR_2007a] Edgecombe, Rodney Stenning: "A Source for the 'Village-Hampden' Stanza in Gray's 'Elegy'". In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20(1) (Winter 2007), pp. 35-36.
  • [EhI_1967] Ehrenpreis, Irvin: "The Cistern and the Fountain: Art and Reality in Pope and Gray". In: Howard Anderson and John S. Shea (eds.), Studies in Criticism and Aesthetics, 1660-1800: Essays in Honor of Samuel Holt Monk. Minneapolis: U. of Minnesota P., 1967, pp. 156-175.
  • [EiR_1986] Elliott, Roger: "The bard as moping owl." In: Cambridge Quarterly (Cambridge Quarterly Assn, Clare College, Cambridge) 15 (1986), pp. 207-215.
  • [ElF_1951] Ellis, Frank H.: "Gray's Elegy: The Biographical Problem in Literary Criticism". In: Publications of the Modern Language Association of America 66 (1951), pp. 971-1008. Also in: Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, pp. 51-75.
  • [ElF_1969] Ellis, Frank H.: "Gray's Eton College Ode: The Problem of Tone". In: Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 5 (1969), pp. 130-138.
  • [ElR_1994] Ellis, R. J.: "Plodding Plowmen: Issues of Labour and Literacy in Gray's `Elegy'". In: John Goodridge (ed.), The Independent Spirit: John Clare and the Self-Taught Tradition. Helpston: John Clare Soc. & Margaret Grainger Memorial Trust, 1994, pp. 27-43.
  • [EmW_1968] Empson, William: "Proletarian Literature". In: Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, p. 109.
  • [EsW_1991] Epstein, William H.: "Assumed Identities: Gray's Correspondence and the `Intelligence Communities' of Eighteenth-Century Studies". In: The Eighteenth Century: Theory and Interpretation 32(3) (Autumn 1991), pp. 274-288.
  • [EsW_1992] Epstein, William H.: "Professing Gray: The Resumption of Authority in Eighteenth-Century Studies". In: Leo Damrosch (ed.) and Marshall Brown (comment), The Profession of Eighteenth-Century Literature: Reflections on an Institution. Madison: U. of Wisconsin P., 1992, pp. 84-94.
  • [EvR_1974] Eversole, Richard: "The Wooden `Frail Memorial' in Gray's Elegy". In: Notes and Queries 21 (1974), pp. 56-57.
  • [FaD_1993] Fairer, David: "Thomas Wharton, Thomas Gray, and the Recovery of the Past". In: W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, pp. 146-170.
  • [FaD_2005] Fairer, David: "Happy Returns? Lamb, Gray, and Wordsworth's Ruined Cottage". In: Charles Lamb Bulletin 131 (July 2005), pp. 62-75.
  • [FaE_1977] Falcone, Eugenio: "L'elegia di Thomas Gray". In: Nuova Antologia 530 (1977), pp. 325-335.
  • [FaR_1972] Fawcus, Arnold: "William Blake's watercolour designs illustrating Gray's poems - and Mr Mellon." In: Connoisseur (London) 179 (1972), pp. 10-14.
  • [FeJ_1978] Ferguson, John: "Gray and Catullus". In: Notes and Queries 25 (1978), pp. 60-61.
  • [FiJ_1935] Fisher, J.: "James Hammond and the Quatrain of Gray's Elegy". In: Modern Philology 32(3) (1935), pp. 301-310.
  • [FiJ_1937] Fisher, J.: "Shenstone, Gray, and the 'Moral Elegy'". In: Modern Philology 34(3) (1937), pp. 273-294.
  • [FoD_1949] Foerster, Donald M.: "Thomas Gray". In: The Age of Johnson: essays presented to Chauncey Brewster Tinker. New Haven: Yale UP, 1949, pp. 217-226.
  • [FoJ_1968] Foladare, Joseph: "Gray's `Frail Memorial' to West". In: Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, pp. 112-114.
  • [FoP_1984] Foley, T. P.: "A Source for Gray's Mute `Inglorious Milton'". In: Notes and Queries 31 (229)(3) (Sep. 1984), p. 397.
  • [FoR_1996] Fontana, Ernest: "Gray's Elegy and Browning's `Apparent Failure'". In: Victorian Newsletter 89 (Spring 1996), pp. 29-31.
  • [FrP_1980] Fry, Paul H.: "Thomas Gray's Feather'd Cincture". In: Paul H. Fry, The Poet's Calling in the English Ode. New Haven: Yale UP, 1980, pp. 63-96.
  • [GaA_1979] Ganf, T. A.: "K voprosu o vzgliadakh Tomasa Greia na poëziiu: iz istorii angliiskoo poëzii XVIII v. (Thomas Gray's views on poetry: history of eighteenth-century English poetry." In: Realizm v zarubezhnykh literaturakh XIX i XX vekov (Saratov Univ., Saratov, USSR) 1979(6), pp. 186-191.
  • [GaJ_1986] Garrett, John: "A Tilt towards Romanticism: Thomas Gray". In: John Garrett, British Poetry Since the Sixteenth Century. A Student's Guide. London: MacMillan, 1986, pp. 94-102.
  • [GaR_2005] Garrison, James D.: "Thomas Gray's Elegy in Russian Translation". In: Babel: Revue Internationale de la Traduction 51(1) (2005), pp. 49-61.
  • [GaR_2006] Garrison, James D.: "Pietoso stile: Italian Translations of Gray's Elegy to 1900". In: Modern Language Notes 121(1) (Jan 2006), pp. 167-186.
  • [GaW_1945] Garrod, H. W.: "Note on the Composition of Gray's Elegy". In: Essays on the Eighteenth Century Presented to David Nichol Smith. Oxford: Clarendon Press, 1945, pp. 111-116.
  • [GeD_1987] George, David B.: "An Etymological Reading of Thomas Gray's `Ode on the Death of a Favourite Cat'". In: Classical Journal 82(4) (Apr.-May 1987), pp. 329-330.
  • [GeE_2002] Gesalí, Esteban Pujals: "Neoclassical Avant-Garde: Thomas Gray's Poems and Letters". In: Philip C. Sutton (ed. and introd.), Betwixt-and-Between: Essays in Liminal Geography. Madrid: Gateway, 2002, pp. 87-99.
  • [GiT_1979] Gilmore, Thomas B., Jr.: "Allusion and Melancholy in Gray's `Ode on a Distant Prospect of Eton College'". In: Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 15 (1979), pp. 52-58.
  • [GlL_1968] Glazier, Lyle: "Gray's Elegy: `The Skull Beneath the Skin'". In: Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, pp. 33-40.
  • [GlR_1977] Gleckner, Robert F.: "Blake, Gray, and the Illustrations". In: Criticism: A Quarterly for Literature and the Arts 19 (1977), pp. 118-140.
  • [GoJ_1948] Goodison, J. W.: "A Silhouette of Thomas Gray by the Rev. Francis Mapletoft". In: Apollo 48(283) (1948), p. 66.
  • [GoN_1999] Goodridge, John: "`Three cheers for mute ingloriousness!': Gray's Elegy in the poetry of John Clare". In: Critical Survey (New York; Oxford) 11(3) (1999), pp. 11-20.
  • [GrD_1974] Greene, Donald: "The Proper Language of Poetry: Gray, Johnson, and Others". In: James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, pp. 85-102.
  • [GrE_1966] Greene, Richard Leighton: "Gray's `Elegy Written in a Country Churchyard,' 31-32". In: Explicator 24 (1966), item 47.
  • [GrI_1978] Griffin, Dustin: "Gray's Audiences". In: Essays in Criticism: A Quarterly Journal of Literary Criticism 28 (1978), pp. 208-215.
  • [GrM_1974] Griffin, M. H.: "Thomas Gray, Classical Augustan". In: Classical Journal (1940), p. 473.
  • [GrR_2001] Grossman, Carol: "The Trianon Press's William Blake's Water-Colour Designs for the Poems of Thomas Gray". In: Printing History 21(1) (41)(2001), pp. 19-24, 29-31, 33-36.
  • [GuI_1970] Guilhamet, Leon M.: "Imitation and Originality in the Poems of Thomas Gray". In: Paul J. Korshin, Proceedings of the Modern Language Association Neoclassicism Conferences 1967-1968. New York: AMS Press, 1970, pp. 33-52.
  • [GuK_1975] Guthke, Karl S.: "Die erste Übersetzung von Grays `Elegy'?". In: Arcadia: Zeitschrift für Vergleichende Literaturwissenschaft 10 (1975), pp. 180-183.
  • [HaG_1992] Haggerty, George E.: "`The Voice of Nature' in Gray's Elegy". In: Claude J. Summers (ed.), Homosexuality in Renaissance and Enlightenment England: Literary Representations in Historical Context. New York: Harrington Park, 1992, pp. 199-214.
  • [HaG_1996] Haggerty, George E.: "O-lachrymarum-fons - Thomas Gray: Tears, poetry and desire in Gray". In: Eighteenth Century Studies 30(1) (Fall 1996), pp. 81-95.
  • [HaG_2006] Haggerty, George E.: "Horace Walpole's epistolary friendships". In: British Journal for Eighteenth-Century Studies 29(2) (2006), pp. 201-218.
  • [HaJ_1958] Hagstrum, Jean H.: "Thomas Gray". In: Jean H. Hagstrum, The Sister Arts. The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago: U. of Chicago P., 1958, pp. 287-314.
  • [HaJ_1974] Hagstrum, Jean H.: "Gray's Sensibility". In: James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, pp. 6-19.
  • [HaK_1991] Hamada, Kazuie: "Thomas Gray: Elegy Written in a Country Churchyard - A Comparison with Country Teacher by Katai Tayama". In: Journal of Kyoritsu Women's Junior College 34 (Feb. 1991), pp. 1-14.
  • [HaO_1975] Hartog, Curt: "Psychic Resolution in Gray's `Elegy'". In: Literature and Psychology 25 (1975), pp. 5-16.
  • [HaR_1977] Haven, Richard: "Some Perspectives in Three Poems by Gray, Wordsworth, and Duncan". In: George Bornstein (ed.), Romantic and Modern: Revaluations of Literary Tradition. Pittsburgh: U. of Pittsburgh P., 1977, pp. 69-88.
  • [HaS_2001] Hawes, Clement: "Johnson's Cosmopolitan Nationalism". In: Philip Smallwood (ed.), Johnson Re-Visioned: Looking Before and After. Lewisburg: Bucknell UP, 2001, pp. 37-63.
  • [HeS_2002] Hess, Scott: "'Approach and Read': Gray's Elegy, Print Culture, and Authorial Identity". In: Age of Johnson: A Scholarly Annual 13 (2002), pp. 207-237.
  • [HiA_1993] Hicks, Malcolm: "Gray Among the Victorians". In: W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, pp. 248-269.
  • [HiC_1974] Hinnant, Charles H.: "Changing Perspectives on the Past: The Reception of Thomas Gray's The Bard". In: Clio: An Interdisciplinary Journal of Literature, History, and the Philosophy of History 3 (1974), pp. 315-329.
  • [HnP_1980] Hühn, Peter: "Wirklichkeit und Bedeutung im Gedicht: Die Dichtergestalt als Medium der Realitätsvermittlung bei Carew und Gray". In: Hans Heinrich Freitag and Peter Hühn (eds.), Literarische Ansichten der Wirklichkeit: Studien zur Wirklichkeitskonstitution in englischsprachiger Literatur: To Honour Johannes Kleinstück. Frankfurt: Lang, 1980, pp. 89-122.
  • [HnP_1991] Hühn, Peter: "Outwitting Self-Consciousness: Self-Reference and Paradox in Three Romantic Poems". In: English Studies: A Journal of English Language and Literature 72(3) (Jun. 1991), pp. 230-245.
  • [HnP_1995] Hühn, Peter: "Zwischen Klassik und Romantik: Thomas Gray". In: Peter Hühn, Geschichte der englischen Lyrik, 2 vols. Tübingen/Basel: Francke Verlag, 1995, vol. 1, pp. 233-250.
  • [HnP_2005] Hühn, Peter: "Thomas Gray: 'Elegy Written in a Country Churchyard'". In: Peter Hühn and Jens Kiefer, The Narratological Analysis of Lyric Poetry: Studies in English Poetry from the Sixteenth to the Twentieth Century. Berlin and New York: Walter de Gruyter, 2005, pp. 79-94.
  • [HuW_1984] Hutchings, W. B.: "Syntax of Death: Instability in Gray's `Elegy Written in a Country Churchyard'". In: Studies in Philology 81(4) (Fall 1984), pp. 496-514.
  • [HuW_1993] Hutchings, W. B.: "Thomas Gray: Past Criticism and the Present Volume". In: W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, pp. 1-12.
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