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THE MEASURES OF VERSE

The Measures which I find principally in use among our writers are as follow, being in all fifty-nine.

Verse.Order of the Rhymes.
Decasyllabic. As in Chaucer's Prologue to the Canterbury Tales, and many of the principal tales themselves: his Legende of Good Women, &c.
Lydgate's Story of Thebes.
Gawen Douglas's Translation of the Æneid, &c. Spenser, Mother Hubberd's Tale, and almost all our modern heroic poetry.
Successive, in Couplets; called by the old French writers Rime plate. (See Pasquier, Recherches de la France, l. vii, ch. 8.
Decasyllabic. Blank; as,
published with Lord Surrey's and Sir T. Wyatt's Poems in 1574, 8vo. Anonym.
Milton's Paradise Lost and Regained, &c.
Without Rhyme. (Versi1 Sciolti of the Italians.) The invention2 is attributed to Trissino, about the year 1525.

1  Thus Trissino's Italia Liberata, the Georgic poems of L. Alamanni and Rucellai, the Sette Giornate of Tasso, &c. and many of the Italian Tragedies are written. It was attempted too by the French in the sixteenth century, as Ronsard in some odes, Blaise Viginelle in his Seven Psalms, &c. but was soon dropped again.
2  i. e. As far as relates to the verse of eleven syllables, or Italian [p. 40] heroic measure. But in shorter verses it had been practised sometimes by the most ancient writers of that nation, particularly in the beginning of the thirteenth century St. Francis wrote an irregular ode, or canticle, without rhyme, for music, in no contemptible strain of poetry. It begins,
"Altissimo Signore
Vostre sono le lodi,
La gloria, e gli onori," &c.
(See Crescimbeni, Comentarj, l. i. c. 10.)


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